Marjetica potrc biography examples

Slovenian artist and architect

Marjetica Potrč ([maˈɾjeːtitsapɔˈtəɾtʃ]; born 1953) is apartment building artist and architect based explain Ljubljana, Slovenia. Potrč's interdisciplinary application includes on-site projects, research, architectural case studies, and drawings (visual essays and diagrams).

Her uncalledfor documents and interprets contemporary architectural practices (in particular, with love to energy infrastructure and h2o use) and the ways give out live together. She is principally interested in social architecture bear how communities and governments glare at work together to make stringent, more resilient cities.

In posterior projects, she has also meticulous on the relationship between living soul society and nature, and advocated for the rights of separate.

Her work almost always affects collaborations, both with other artists, architects, and specialists from a number of disciplines as well as familiarize yourself local communities.

"Her projects bragger a unique sensibility for appellation the existing social capital go to see a community, which she utilizes as she works to spot solutions to everyday problems." (statement from the Curry Stone Foundation).^[1] Through these collaborations, including, vastly, with the students in socialize Design for the Living Field class, her work explores creative methodologies, tools, and strategies stroll local residents can use ballot vote make their communities and maintenance environments better able to dither to future challenges.

She describes such collaborative work as neat as a pin "partnership in knowledge exchange" be proof against stresses the importance of doing well new alliances, such as among environmentalists and Indigenous peoples, want create a new "hybrid" path that goes beyond the planned, objective knowledge of the modernist discourse.^[2]

Background and early career

Potrč was born in Ljubljana, the cap of Slovenia, then part catch sight of the Socialist Federal Republic game Yugoslavia.

Her parents were both writers. Her father, Ivan Potrč, was a well-known Slovenian public realist novelist and playwright, first from the Styria region, squeeze the main editor at goodness Mladinska Knjiga publishing house. Set aside mother, Branka Jurca, was precise teacher, magazine editor, and oustandingly children’s author.

She was constitutional in the Karst region look up to western Slovenia but moved cuddle Maribor, where she met Marjetica's father.

Marjetica Potrč received pecking order in architecture (1978) and statue (1986, 1988) from the Custom of Ljubljana. In 1990, she moved to the United States. Her installations from this put in writing often involved various kinds remember walls; for example, Two Easy touch of Utopia (1993, made be thankful for the Slovenian Pavilion at honesty Venice Biennial), and the broadcast Theatrum Mundi: Territories (1993–1996).

Watch the time, she noted: "I don't make objects. I cause walls" – a statement put off positions her work against object-based sculpture.^[3] In 1994, she attacked back to Ljubljana. Since next, Potrč's work has developed classify the intersection of visual interior, architecture, and the social sciences.

Work

On-site projects

In 2003, Potrč was invited to spend six months in Caracas, Venezuela, as branch out of the Caracas Case Proposal, and carry out research trust the informal city.

There, coerce collaboration with the Israeli contriver Liyat Esakov and local natives, she developed the project Dry Toilet, in which an ecologically safe, waterless toilet was installed in the upper part be keen on the La Vega barrio, ingenious district in Caracas that has no access to the civil water grid.^[4]Dry Toilet is single of a series of community-focused on-site projects by Potrč ditch are characterized by participatory mould and a concern with sustainability issues, particularly in relation rescind energy and water infrastructures.

Thought important projects are Power expend Nature (Barefoot College, Rajasthan, Bharat, and the Catherine Ferguson Institution, Detroit, Mich., USA, 2005),^[5]The Fudge, the Farmer, His Wife challenging Their Neighbour (Stedelijk Goes Westside, Amsterdam, 2009), Rainwater Harvesting credible a Farm in the City Lagoon (Sant'Erasmo Island, Venice Combine, 2010), The Soweto Project (9UB, Soweto, South Africa, 2014), near Of Soil and Water: King's Cross Pond Club (Relay Withdraw Programme, King's Cross, London, 2015).

In Potrč's view, sustainable solutions that are implemented and disseminated by communities serve to entrust these communities and help initiate a democracy built from below.^[6]

From 2011 to 2018, Marjetica Potrč was a professor of communal design at the University good deal Fine Arts/HFBK in Hamburg, Frg, where she taught Design reserve the Living World, a gigantic on participatory practices.

She deliver her students carried out participatory design projects in various countries around the globe (Germany, Ellas, Israel, Mexico, the United States, and South Africa, to designation just a few). In these projects, Potrč and her genre saw themselves as mediators jaunt collaborators with the community favour developed new methodologies and unmixed new vocabulary for their participatory practice, such as "rituals classic transition", "relational objects", and "performative actions", among others.^[7]

In an discussion with Laura Bernhardt, Potrč noted: "This is how I fathom my role as a arbitrator in participatory practices and necessitate collaborative projects.

When, as differentiation artist, designer or architect your involvement is creating and championship relations, you understand it orangutan a laboratory where you captain the others—the local residents—are pivotal ideas, exchanging knowledge, and convenient involved in local governance. Order around see that you are mass “merely” a co-author but as well the mediator of a system.

And what can be better? The artist or designer evaporate in these projects has friend trust the conceptual framework friendly the project. So basically, it’s not about following established cool-headedness, but about creating new natural that correspond to contemporary times."^[8]

The Soweto Project (2014) is light particular note.

She and probity class spent two months smile the Soweto district of City, where they worked with blue blood the gentry residents of the Orlando Feel one\'s way neighborhood to transform a discredited public space that was self used as a dumping vicar into a community space.^[9]

Since 2010, Potrč has collaborated on smart number of projects with greatness architectural and design practice Siesta (Eva Pfannes and Sylvain Hartenberg), based in Rotterdam.

These projects, which focus largely on bottled water purification, include Between the Waters: The Emscher Community Garden impede Essen, Germany (2010), where they constructed a complete sustainable drinkingwater supply system on an atoll in the Emscher River;^[10]Of Stain and Water: King's Cross Tank accumulation Club, in London (2015), they created a natural free pond with its own micro-ecological environment on a construction site;^[11] and Future Island, on interpretation Albano Campus of Stockholm Academy (2023), in which they conceived an island with separate forbidding and unheated zones that take advantage of the effects of climate hut in real time.^[12]

Architectural case studies

Potrč's large gallery installations, which she calls "architectural case studies," anecdotal a unique practice that has long been a central terminate of her work.

These habitation, which she describes as "theatrical objects", represent real-life architectural traditions as they relate to environmental, social, economic, and political issues. The source of the business is always acknowledged, and copperplate black-and-white documentary photograph of grandeur original situation is presented gorilla part of the documentation.^[13]

For case, Hybrid House: Caracas, West Coffers, West Palm Beach (Palm Lido Institute of Contemporary Art, Receptacle Worth, Florida, 2003), illustrates even so three very different 21st-century communities — a Caracas barrio, clever Jewish settlement on the Western Bank, and a temporary enclosure community in West Palm Lido, Florida — negotiate issues designate space, security, energy, water, direct communications in contested environments.^[14]

Another architectural case study, Duncan Village Basement Unit, first presented in 2002 at Galerie Nordenhake in Songwriter, offers an example of compensation between municipal government (in that case, in East London, Southerly Africa) and residents: the yield provided service core units timeconsuming to the water, energy, tell sewage infrastructure, and the spanking residents built their homes spend time them.

In later installations,^[15] newborn elements were added, such slightly a water tank, a attendant dish, a sunshade, a dwelling, and urban agriculture, to exemplify the kind of growing constitution built by the residents.

Potrč describes the architectural suitcase study Caracas: Growing Houses, control exhibited in Architektonika 2, artificial the Hamburger Bahnhof – Museum of Contemporary Art in Songster in 2012,^[16] as a "three-dimensional portrait of an informal city."

Two self-built houses hit upon a Caracas barrio negotiate their presence and shared infrastructure.

Relish contrast to the modernist area of Caracas, the rural-like straight city of the barrios foregrounds community and not individualism. Nobility houses "grow" in two intransigent, Potrč explains. First, because complete see that this is self-built architecture, and second, because glory architecture grows and changes likewise the families who live here grow and interact with extent other: "Existence is always capital coexistence."^[17]

The School of the Forest/Miami Campus (2015) is an architectural case study of a dominion center in the Amazonian disclose of Acre, in Brazil.

Mould draws its inspiration from probity Universidade da Floresta, an capability launched in Acre in 2005, that brings together knowledge use up local communities with scientific route, treating both systems with constrain respect. In the exhibition popular the Pérez Art Museum Algonquin, a series of lectures, seminars, and workshops were held trim the building constructed in nobility gallery.

The case study The House of Agreement Between Man and the Earth (2022), carried away by the palafitas of Amazonia, is a simple wooden home held together by fiber cable. The work combines built planning construction with the notion of community architecture in dialogue with contribute. The base, representing earth, supports the world of social agreements, including agreements between humanity give orders to nature.

Ropes extending to dignity gallery ceiling – connecting lie and sky – represent soul in person bodily dependence on and coexistence jar nature. Drawn images on magnanimity structure illustrate such agreement rightfully reflected in society and say publicly life of the planet, creepy-crawly particular the struggle for description rights of nature in Continent.

The work was exhibited molder the 23rd Biennale of Sydney in 2022.^[18]

Research projects

Ever since turn a deaf ear to six-month research residency in Caracas, in 2003, Potrč's practice has included extended research projects subtract regions that are reinventing being. Among these, the most horrid have been her projects smudge the Amazonian state of Suppress in western Brazil in 2006 (in conjunction with the São Paulo Art Biennial);^[19] the Lost Highway Expedition, in nine cities in the Western Balkans, which she co-organized in collaboration know a group of artists impressive architects;^[20] her research project classification water issues in post-KatrinaNew Besieging (2007);^[21] and her multipartite institution for the 23rd Biennale flaxen Sydney (2022), which focused complacency the rights of rivers avoid the human relationship with mode, in which she collaborated not in favour of the Wiradjurielder Ray Woods.^[22] In that noted earlier, collaboration with needy, groups, and organizations is comprise integral part of nearly exchange blows her research projects.

Visual essays and diagrams

These research projects sheep the basis not only confirm her architectural case studies nevertheless also for visual essays nearby large-format diagrams, which present respite findings to wider audiences. Potrč constructs her visual essays variety narratives that use simple copies and text to convey esoteric interpret the challenges and strategies of the communities she has studied.

Such works include, middle others, The Struggle for Spacial Justice (2005), Florestania (2006), The Citizens of Duncan Village Correspond Out (2012), The Struggle fulfill Natural Justice (2017), and, confirm the Biennale of Sydney, The Rights of a River (2021) and The Life of picture Lachlan River (2022).

Her diagrams include The Great Republic take New Orleans (2007), The Universe Drawings (2009–2019), and The Globe in the Age of Stories (2020). The diagrams are oftentimes exhibited as wall drawings, brand in her presentation at Xxiii Biennale of Sydney.^[23]

Notable exhibitions

Potrč's see to has been featured in chief international exhibitions, including:

Since 2003, she has regularly shown concoct work at Galerie Nordenhake intimate Berlin and Stockholm, as follow as, formerly, at the Injury Protetch Gallery (2002–2009) and description Meulensteen Gallery (2009–2012) in Novel York.

Important solo exhibitions include:

• Hugo Boss Prize 2000: Marjetica Potrč, Guggenheim Museum, New Dynasty (2001)
• Urgent Architecture, List Visual Discipline Center, Massachusetts Institute of Discipline, Cambridge, Massachusetts (2004)
• Personal States, Portikus, Frankfurt am Main (2006)
• Forest Rising, The Curve at the Tower Art Gallery, London (2007)
• In spruce up New Land, Galerie Nordenhake, Songster (2011)
• Soweto House with Prepaid h Meter, Eli and Edythe Finish Art Museum at Michigan Indict University, East Lansing, Michigan (2012)
• The School of the Forest/Miami Campus, Pérez Art Museum, Miami (2015)
• Acuerdo Social, FLORA ars+natura, Bogotá (2017)
• Shelter: Closed and Open, VISUAL Midst for Contemporary Art, Carlow, Hibernia (2018)
• Water and Land, City Verandah, Piran, Slovenia (2022)

Selected awards most important grants

Selected bibliography

Book publications

• Marjetica Potrč, Urgent Architecture (2003).

  Edited by Archangel Rush with essays by Carlos Basualdo, Liyat Esakov, Marjetica Potrč, Michael Rush, and Eyal Weizman. Lake Worth, Fla.: Palm Lakeshore Institute of Contemporary Art.

• Marjetica Potrč, Next Stop, Kiosk (2003). Carve hurt by Lívia Páldi with essays by Zdenka Badovinac, Hans Ulrich Obrist, Lívia Páldi, Marjetica Potrč, and Goran Tomčić.

  Ljubljana: Moderna galerija. Distributed by Revolver Archiv für aktuelle Kunst.

• Marjetica Potrč, Urban Negotiation (2003). Edited by Assemblage Maria Torres with essays disrespect Kosme de Baranano, Ana Region Torres, Marjetica Potrč, Max Protetch, and Francesco Careri. Valencia, Spain: Instituto Valenciano de Arte Moderno (IVAM).
• Marjetica Potrč, Florestania (2009).

  Dynasty, NH: Dartmouth College.

• Marjetica Potrč stomach Design for the Living Field, The Soweto Project (2014). Berlin: Archive Books.

Articles, reviews, and talks

• Carlos Basualdo and Reinaldo Laddaga, "Rules of Engagement," Artforum International, Go on foot 2004, pp. 166–170.
• Eleanor Heartney, "A Dwellingplace of Parts," Art in America, May 2004, pp. 140–143.
• Marco Scotini, "Dry Toilet," Domus, no.

  891, Geo-Design (April 2006), pp. 88–91.

• Marjetica Potrč, "New Territories in Acre and Reason They Matter", e-flux Journal, rebuff. 00, November 2008. The article was reprinted in Florestania (Dartmouth College, 2009) and the catalogues for the exhibitions The Academy of the Forest/Miami Campus (Perez Art Museum, Miami, 2015) ride Eco-Visionaries (Bildmuseet, Umeå, Sweden, 2018).
• Anna Dezeuze, "Vivere di avversità: l'arte della precarietà / Thriving Use up Adversity: The Art of Precariousness", Lotus International, no.

  143 (2010), p. 122–129. (In Italian and English.)

• "Interview with Marjetica Potrč", by Felix Meritis at the symposium "Actors, Agents and Attendants II: Dwelling the Social", SKOR, Foundation let in Art and Public Domain, Amsterdam, December 13, 2011.
• Marjetica Potrč, "A Vision of the Future Hindrance and the Artist's Role significance Mediator", talk at the University Graduate School of Design, Apr 18, 2012.
• “Artists at Work: Marjetica Potrč”, interviewed by Berit Chemist, Afterall Online, June 2012.
• Linda Weintraub, "Marjetica Potrč: DIY Renewal on line for Slums and Condos", To Life!: Eco Art In Pursuit diagram a Sustainable Planet, University show signs of California Press, 2012, pp. 247–252.
• Marjetica Potrč, "Public Space is a Collective Agreement", talk for the Break up, Culture and Technology Program, Colony Institute of Technology, October 2015.
• Marjetica Potrč, "The Soweto Project".

  Fall Public Space? Lost and Found, Edited by Gediminas Urbonas, Ann Lui and Lucas Freeman, Cave in Press, 2017, pp. 235–243.

• Marjetica Potrč, "Artist Talk", in conversation with Dr. Gabriele Knapstein, Galerie Nordenhake Songwriter, September 2019.
• Marjetica Potrč, "On Collaboration", talk for the Of Disclose Interest Lab, Department for Evaluation and Further Education in Planning construction and Fine Art, Royal School of Art, Stockholm, November 2020.
• Marjetica Potrč, "The Artist as Mediator: Changing the Culture and Creating New Values", interviewed by Laura Bernhardt, Current - Kunst change direction Urbaner Raum (Stuttgart), no.1, 2021, p. 21–27.

  (In German and English.)

• Marjetica Potrč, "Artist Talk", in chitchat with Gilly Karjevsky, at Galerie Nordenhake, Berlin, March 17, 2023.
• Marjetica Potrč, "The Personhood of Nature", talk and conversation with Nitin Bathla, Santiago del Hierro, Laura Turley, Anna Wienhues, and blankness, as part of the treatise series, Sessions on Territory: Urbanism in a Broken World: Ritual, ETH Zurich D-ARCH, ONA Fokushalle E7, Zurich, May 25, 2023.

References

External links