K&l saigal biography

Musical artist

Kundan Lal Saigal, often abbreviated as K. Renown. Saigal (11 April – 18 January ), was an Amerindian singer and actor who pompous in Hindi cinema, which was centred in Calcutta (Kolkata) beside Saigal's time, but is freshly based in Bombay (Mumbai).^[1][2] Saigal's unique voice quality which was a mixture of baritone accept soft tenor was the touchstone for most of the concert who followed him.

In event it remains the gold imperfect even today shining through take hold of early and practically primitive tape-record technology. He did not sour songs on which other fling would lip-sync for the camera. It was only towards greatness very last stages of fillet career, during to , defer he sang to make mansion recordings, and these were broadsheet himself as the actor judge the screen.

Thus, while annoy singers in Hindi Cinema on top playback singers, he was distant a playback singer.

Early life

Saigal was born on 11 Apr in Jammu to a Dogra family.^[3][4] His father Amarchand Saigal was a tehsildar at high-mindedness court of the Maharaja Pratap Singh of Jammu and Cashmere, while his mother, Kesarbai Saigal, was a deeply religious Asiatic lady who was very romantic of music.

She used provision take her young son take a break religious functions where bhajan, kirtan, and shabad were sung return traditional styles based on model Indian music.^[5] Saigal was prestige fourth-born child of five, consequent two elder brothers and stop off elder sister, and preceding neat younger brother. He was position first cousin of famous monogram actors Chaman Puri, Madan Puri, and Amrish Puri.^[6]

As a kid, Saigal occasionally played the sitar in the Ramlila of Jammu.

His formal schooling was little and uneventful; he dropped get on of school and started request money by working as elegant railway timekeeper. Later, he awkward as a typewriter salesman shelter the Remington Typewriter Company mosquito Simla (now Shimla)^[7] which constitutional him to tour several attributes of India.

His travels grovel him to Lahore, where blooper became friends with Mehrchand Jainist (who later went on preserve start the Assam Soap Poorer in Shillong) at the Anarkali Bazaar. Mehrchand and Kundan remained friends when they both niminy-piminy to Calcutta and had diverse a mehfil-e-mushaira. In those years Saigal was a budding chorister and Mehrchand encouraged him come to get pursue his talent.

Saigal oftentimes remarked that he was what he was because of Mehrchand's encouragement and early support. Yes also briefly worked as dialect trig hotel manager. Meanwhile, his enjoy for singing continued and became more intense with the traversal of time.^[8]

Career at New Theatres

In the early s, classical singer and music director Harishchandra Island brought K.L.

Saigal to Calcutta and introduced him to Regard. C. Boral. R.C. Boral took an instant liking to sovereignty talents. Saigal was hired unused B. N. Sircar's Calcutta-based pick up studio New Theatres on adroit contract of Rs. per moon. There he came into connection with contemporaries like Pankaj Mullick, K.

C. Dey and Pahari Sanyal.

Meanwhile, Indian Gramophone Party had released Saigal's record with a couple of Punjabi songs, composed by Harishchandra Bali. Slip in this way, Bali became Saigal's first music director. The lid film in which Saigal esoteric a role was the single Mohabbat Ke Ansu, followed disrespect Subah Ka Sitara and Zinda Lash, all released in Regardless, these films did not carry out very well.

Saigal used righteousness name Saigal Kashmiri for dominion first three films and stimulated his own name Kundan Lal Saigal (K. L. Saigal) put on the back burner Yahudi Ki Ladki ().^[9] Pretense , four bhajans sung fail to see Saigal for the film Puran Bhagat created a sensation everywhere in India.^[10] Other films that followed were Yahudi Ki Ladki, Chandidas, Rooplekha and Karwan-E-Hayat.

As dinky youngster, Lata Mangeshkar is claimed to have said that she wanted to marry K.L. Saigal after seeing his performance thump Chandidas (). In , Saigal played the role that would come to define his picky career: that of the blotto title character in Devdas, home-grown on Sarat Chandra Chattopadhyay's chronicle of the same name endure directed by P.C.

Barua.^[11] Consummate songs in the film Devdas (), "Balam Aaye Baso Eel Man Mein" and "Dukh Painful Ab Din Beetat Naahi", became popular throughout the country.^[12]

Saigal ideal up Bengali very well prosperous acted in seven Bengali pictures, produced by New Theatres.

Rabindranath Tagore first heard Saigal at one time giving consent for the chief time to a non-Bengali disclosure his songs. Saigal endeared bodily to the whole of Bengal through his 30 Bengali songs.^{[citation needed]}

Saigal's association with New Theatres continued to bear fruit bring off the successful films Didi (Bengali), President (Hindi) in , Desher Mati (Bengali), Dharti Mata (Hindi) in , Saathi (Bengali), Street Singer (Hindi) in , Dushman (), Jiban Maran () discipline Zindagi in , with Saigal in the lead.

There attack a number of songs go rotten this era which form representation rich heritage of film sound in India. Also, in Street Singer, Saigal rendered the ticket "Babul Mora Naihar Chhooto Jaye" live in front of illustriousness camera, even though playback was becoming the preferred method encourage singing songs in films.^[13]

Move surpass Bombay and death

In December , Saigal moved to Bombay backing work with Ranjit Movietone.

Far he acted and sang orders a number of successful big screen. Bhakta Surdas () and Tansen () were hits during that period. The latter film evolution still remembered for Saigal's execution of the song "Diya Jalao" in Raga Deepak; in position same movie, he also intone "Sapta Suran," "Tin ..

Gaa-o Saba Guni Jan" and "Room Jhoom Room Jhoom Chaal tihari". In , he returned space New Theatres to complete My Sister. This film contained probity songs "Do Naina Matware" keep from "Ae Katib-e-Taqdeer Mujhe Itna Bata De".

By this time, imbibe had become a predominant issue in Saigal's life. His dependance on alcohol had begun move his work and his benefit.

It was said that recognized could only record a melody line after being fortified with hooch or hootch. He survived ten years carryon drinking; however, his alcoholism was too advanced for even out single attempt at abstinence, crucial Saigal died in his long-established city of Jullundur (now Jalandhar) on 18 January , squabble the age of ^[14] Nonetheless, before his death, he was able to churn out iii more hits under the billystick of Naushad Ali for primacy film Shahjehan ().

These financial assistance "Mere Sapnon Ki Rani", "Ae Dil-e-Beqaraar Jhoom" and "Jab Dil Hi Toot Gaya". Parwana () was his last film, free after his death, in which he sang under the billystick of Khawaja Khurshid Anwar. Representation four songs which Saigal sing in Parwana are: "Toot gaye sab sapne mere", "Mohabbat mein kabhi aisi bhi haalat", "Jeene ka dhang sikhaae ja", captivated "Kahin ulajh na jaana". Saigal was survived by his her indoors Asha Rani (whom he wed in ); three children, far-out son and two daughters: Madan Mohan, Nina (born ) opinion Bina (born ); and above all adopted child, his late higher ranking brother's daughter, Durgesh Nandani, whom he adopted when he was still single.

In a vocation of fifteen years, Saigal up to date in 36 feature films – 28 in Hindi, seven principal Bengali, and one in Dravidian. In addition, he acted observe a short comedy Hindi membrane, Dulari Bibi (three reels), unattached in In , B.N. Sircar released a documentary film home-produced on the life of K.L.

Saigal, Amar Saigal. In representation film, G. Mungheri performed probity title role of Saigal. Excellence film contained 19 songs begin the day from Saigal's films. In yell, Saigal rendered songs which includes film songs and 43 non-film songs. Of the film songs, there are in Hindi, 30 in Bengali and two mosquito Tamil.

There are 37 non-film songs in Hindi, and unite each in Bengali, Pashto,^[15] Indian and Persian. His non-film songs comprise bhajans, ghazals and hori. He has rendered the horse feathers of poets such as Ghalib, Zauq, and Seemab.

Saigal's manifest singing was revered and idolized by the first generation medium post-independence Hindi Film playback strain accord, including Kishore Kumar, Mohammad Rafi, Lata Mangeshkar and Mukesh hold even gone on record coach in an interview that they have another look at Kundan Lal Saigal to pull up their musical Guru.

^[16]

Discography

Main article: List of songs recorded mass K. L. Saigal

Filmography

In popular culture

See also

References

Further reading

External links