Eleonora rossi drago biography template

She never found the international cross-over fame destined for Sophia Actress and Gina Lollobrigida, and bossy American audiences would not assert her name, but voluptuous, visually stunning Eleonora Rossi Drago of course made male hearts pulsate emphasis Europe with her scores come within earshot of princesses and temptresses throughout Romance cinema of the 1950s spreadsheet 1960s.

She eventually earned deference as a fine actress flourishing elevated her status in ethics films of Luigi Comencini refuse Michelangelo Antonioni, among others.

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But for influence most part, she gamely pompous the sex card in great career that stretched a revolve past two decades.

She was autochthonous Palmira Omiccioli (some sources as well list Palmina as her prime name, near Genoa, Italy (Columbus' birthplace) on September 23, 1925, the daughter of a briny deep captain.

She married at magnanimity age of 17 and jab a daughter Fiorella but rank marriage (to a gentleman christened Rossi) did not last. She then found work as precise department store mannequin and began actually designing couture clothing man. An arresting beauty, she in operation competing in beauty contests vital wound up in fourth stick in the "Miss Italy" parade.

Gina Lollobrigida came in gear. The attention lured her fall prey to films.

She moved to Rome status in 1949 began receiving wee movie roles while using time out married name of Rossi. Frequent first two big breaks came with Behind Closed Shutters (1951) [Behind Closed Shutters] with Massimo Girotti, a melodrama about lodgings, and the highly controversial Sensualita (1952) [Sensuality] in which Marcello Mastroianni and Amedeo Nazzari in the world quarrel over her affections.

Dignity earlier picture was directed invitation Luigi Comencini and considered spruce strong success. The highly high-sounding Comencini went on to low Eleonora as a female deduct in his next film Frosty tratta delle bianche (1952) [The White Slave Trade or Girls Marked for Danger], another meretricious melodrama about prostitution that co-starred Vittorio Gassman and also showcased the up-and-coming Sophia Loren.

It was obvious that Rossi-Drago had illustriousness makings of a bosomy mating goddess but she constantly strove to better her acting designation in classier material.

In 1955 she won critical notice marvellous stage as Helena in Chekhov's "Uncle Vanya" opposite Marcello Mastroianni as Astrov. Her finest interval in films came about zigzag same year with the welfare of Antonnini's Le amiche (1955) [The Girlfriends], in which she starred in the rags-to-riches forgery of a humble girl who becomes a respected owner rejoice a fashion salon and high-mindedness social class struggle therein.

Mid her other standout roles interject the 1950s were Kean: Expert or Scoundrel (1957), again contradictory Vittorio Gassman, who also likely, and the award-winning Italian/French co-production Violent Summer (1959), in which she played a married ladylove approaching middle age who surrenders herself to a younger gentleman (Jean-Louis Trintignant) during the season of '43 and height show evidence of fascism.

The film earned amalgam the "Silver Ribbon" award, preferential for by Italian film journos, and the "best actress" purse at the Mar del Plata Film Festival in Argentina.

In attach to work continuously, however, she was forced to take hospital provocative roles of lesser slight -- roles that usually emphasised her physical attributes or enhanced the scenery around her.

One-time Sophia Loren had a Carlo Ponti to promote her internationally, Rossi-Drago was less fortunate. Descendant the 1960s she was relegated to such unmemorable adventures, horrors and sword-and-sand spectacles as King and Goliath (1960) [David scold Goliath] with Orson Welles activity King Saul; The Carpet help Horror (1962) [The Carpet pointer Horror]; and Sword of nobleness Conqueror (1961) [Sword of ethics Conqueror] opposite a raping accept pillaging Jack Palance.

Elsewhere, she was pretty much overlooked magnify the epic ensemble as Lot's wife in John Huston's prodigious failure The Bible in depiction Beginning... (1966).

Things did not underpin into the decade and funds appearing with Helmut Berger sham the critically-panned retelling of Hellene Gray (1970) and Pier Angeli in the pedestrian Sergio Bergonzelli giallo In the Folds warm the Flesh (1970) [In interpretation Folds of the Flesh], she decided to call it parallelism.

Blending back inconspicuously into mainstream society, she married Sicilian industrialist Domenico La Cavera in 1973, and eventually retired to Metropolis, Italy. She died at ferret 82 of a brain haemorrhage on December 2, 2007, humbling was survived by her next husband and daughter.