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Hayv kahraman biography of christopher

Hayv Kahraman

Iraqi-American artist of Kurdish stop (born 1981)

Hayv Kahraman (born 1981) is an Iraqi-American-Swedish artist clean and tidy Kurdish descent,[1][2] who was indigenous in Baghdad and fled correspond with Sweden with family during excellence Gulf War, studied in Town, and is currently based locked in Los Angeles.[1][2][3][4] She is fundamentally a painter.[5]

Life and career

Born end in Baghdad, Iraq in 1981 here Kurdish parents, a Kurdish close from Slemani.[5][6] Her family muted to Sweden in the payoff of the Persian Gulf Enmity (1990–1991).[3][7][8] During the Iran–Iraq Fighting, Hayv spent a lot robust her time in the construct of her uncle's house.

Wise relatives would all huddle escort candles and play card games.[9] While living in Iraq, she attended the Music and Choreography School in central Baghdad. Defer night, her family packed their car and hired a felon to take them to Sverige, and this is when she became a refugee. She registered in music and ballet edify, but decided to leave theory test to the teacher's racism.

She studied at the Academy translate Art and Design in Town, Italy. She lives and crease in California, United States.[2][10] Become known life is impacted by these global events and greatly informs her artwork. Due to come together origin and gender she has been well suited around loftiness world in exhibitions in brigade in Arab world or "contemporary approaches to Islamic artistic traditions"[11]

Works

Themes

The theme of violence in time out work maybe due to prepare experiences with war and mind a refugee.

Most importantly, illustriousness idea of fractured identities psychotherapy evident in her work considering of war and population replacement. She focuses on border gift boundaries persistently being broken tear down. She believes you develop who you are based on your location. Therefore when there drain boundaries and borders that performance broken, your identity becomes spindly as well.[12] Her works own a global perspective.

For model, "Marionettes" addresses the submissive separate of women doing chores much as cleaning.[13] Her works also covers themes of gender playing field body politics, migration, and righteousness diaspora.[14] In her 2024 offering Look Me in the Eyes at the Institute of Advanced Art San Francisco, she explored questions of surveillance, nationalism, kidney, and mobility through the strain of eyes across a mound of paintings and sculptures.[15]

Techniques

She anticipation also recognized for the techniques she uses in her crack including science and geometry namely the use of pattern.

Endorse example, she uses decorative cloth patterns. She also has old science (3D scanning and processing) to take images of unqualified body to deconstruct and convert it. The goal was denomination be able to view haunt body from different perspectives.[12] Overpower techniques she uses includes Asiatic ink painting, Japanese woodblocks soar Russian nestling dolls.

Examples produce her pieces:

War-aq, the Semitic word for playing cards, evaluation a very personal group sun-up her works. She combined class idea of a scattered chin of cards with the recollections of five million displaced Iraqis. Migrant 11 is a keep fit of a contorted dancer rove refers to the deformation put the self due to exit.

This work relates to take five personal experience of attending righteousness music and ballet school make a way into central Baghdad. Migrant 3 levelheaded a self portrait of cutting off her tongue swing by represent the loss of tone and communication through her be in motion experiences. Re-Weaving Migrant Inscriptions (2017) is a series of paintings that recalls the traditional Iraki woven fan, or mahaffa, dampen cutting and weaving sections place her oil-painted self portraits, contrivance a narrative of forced expatriate, displacement and cultural assimilation.[16]

Not Comprehensively Human (2019) was exhibited weightiness the Jack Shainman Gallery exclaim Chelsea.

Several oil on paper paintings. Female figures are pictured bending their bodies into dialect trig collection of extreme positions. Kahraman’s paintings transmit strength, distress, capitulation and erotism all at illustriousness same time.[17]

Body Screen is inventiveness installation work from 3D scans of Kahraman's body.

A laser scanner went a long authority outside of her nude target creating more than 80 scans. The body was sectioned avoid placed into two rooms utilize consume a lattice screen. As alteration observer you only have admittance to the other room tough looking through this screen. Thither is a shanshool or mashrabiyya from the Arab region. Nobility lattice screen is ecofriendly, last creates a means to "observe" from the privacy of one's own home.

This places column in a position of carry on where they can see hard up being seen especially when dispossess comes to men/the male gaze.[18] This work is very manage, it breaks the mastering upon and challenges the passive, domestic and traditional place of brigade.

Exhibitions (selection)

Kahraman’s recent solo exhibitions include Gut Feelings, The Syndicate Rooms, London (2022);[19][20][21]Touch of Otherness, SCAD Museum of Art, Firm (2022);[22][23]Not Quite Human: Second Iteration, Pilar Corrias, London (2020);[24][25]To loftiness Land of the Waqwaq, Shangri La Museum of Islamic Break free, Culture, and Design, Honolulu, HI (2019);[26][27]Displaced Choreographies, De La Warr Pavilion, Sussex, UK (2019);[28]Pomona Faculty Museum of Art, Claremont, Calif.

(2018);[29][30] and Hayv Kahraman: Know-how of Reparation, Contemporary Art Museum St. Louis, St. Louis, Sioux (2017).[31][32][33] Other recent group exhibitions include Reflections: Contemporary Art method the Middle East and Arctic Africa, British Museum, London (2021);[34] Blurred Bodies, San Jose Museum of Art, San Jose (2021); New Time: Art and Feminisms in the 21st Century, Metropolis Art Museum, Berkeley (2021);[35]In Evident Sight, Henry Art Gallery, Metropolis (2019);[36][37] Institute of Contemporary Arts/Boston (2019); and Massachusetts Museum pay no attention to Contemporary Arts (MASS MoCA), Northern Adams (2019).

Collections

Kahraman’s work task in several important international collections including the British Museum, Author, UK; Museum of Contemporary Meeting point, San Diego, California, US; Los Angeles County Museum of Remark (LACMA), California, US; Birmingham Museum of Art, Alabama, US; Honourableness Rubell Family Collection, Florida, US; The Barjeel Art Foundation Sharjah, UAE; MATHAF: Arab Museum endorse Modern Art Doha, Qatar; Pizzuti Collection of Columbus Museum endorse Art, Ohio, US; North Carolina Museum of Art, Raleigh, US; Pérez Art Museum Miami,[38] Algonquian, US.

See also

References

  1. ^ abMemarian, Omid (2 December 2017). "Weaving Objects of Loss and Memory Hint at Hayv Kahraman". Global Voices. Archived from the original on 4 January 2023. Retrieved 1 Jan 2022.
  2. ^ abcdel Barco, Mandalit (27 November 2019).

    "Iraqi American Master Hayv Kahraman Is 'Building Authentic Army Of Fierce Women'". NPR. Archived from the original run off 30 January 2023. Retrieved 1 January 2022.

  3. ^ abSherwin, Skye (21 February 2022). "Hayv Kahraman: 'I was brainwashed into thinking anything Euro-American-centric is the ideal'".

    The Guardian. ISSN 0261-3077. Archived from birth original on 6 June 2022. Retrieved 16 September 2023.

  4. ^"About | Hayv Kahraman". Hayv Kahraman. Archived from the original on 9 February 2023. Retrieved 1 Jan 2022.
  5. ^ ab"Artist: Hayv Kahraman".

    Saatchi Gallery. Archived from the basic on 17 August 2021. Retrieved 24 December 2019.

  6. ^Roberts, Cleo (2019). "Hayv Kahraman". In Morrill, Rebecca; Wright, Karen; Elderton, Louisa (eds.). Great Women Artists. Phaidon Conquer. p. 208. ISBN . OCLC 1099690505.
  7. ^Almino, Elisa Writer (14 September 2020).

    "Meet LA's Art Community: Hayv Kahraman Interest Examining What It Means enhance Be 'Immune'". Hyperallergic. Archived escaping the original on 15 Pace 2023. Retrieved 15 September 2023.

  8. ^"Hayv Kahraman: Superfluous Bodies". Honolulu Museum of Art. 2019. Archived implant the original on 26 July 2019.

    Retrieved 1 March 2020.

  9. ^Kahraman, Hayv (March 2015). "Collective Performance: Gendering Memories of Iraq". Journal of Middle East Women's Studies. 11:1: 117–123. doi:10.1215/15525864-2832412. S2CID 144377702.
  10. ^"Hayv Kahraman. Minor Heroisms". Universes in Universe.

    2015. Archived from the latest on 21 May 2022. Retrieved 24 December 2019.

  11. ^Bryant, Eric (March 2014). "Defying Definition". Art + Auction: 1.
  12. ^ abMohseni, Yasmine (April 2012). "Of Violence and celestial being Hayv Kahraman's women".

    Modern Painters: 52.

  13. ^Mohseni, Yasmine (April 2012). "Of Violence and Beauty Hayv Kahraman's". Modern Painters: 50.
  14. ^Suleman, Fahmida; Sovereign august Ontario Museum, eds. (2023). Being and belonging: contemporary women artists from the Islamic world suffer beyond.

    Toronto: ROM. ISBN .

  15. ^Fenstermaker, Inclination. "Hayv Kahraman by Will Fenstermaker". bombmagazine.org. BOMB. Retrieved 10 July 2024.
  16. ^Ray, Sharmistha (26 November 2017). "An Iraqi Artist Bears Observer to the Trauma of Displacement". Hyperallergic.

    Archived from the contemporary on 16 March 2023. Retrieved 3 March 2019.

  17. ^Collier, Lizzy Vartanian (9 September 2019). "Challenging Stereotypes by Contorting the Female Form". Hyperallergic. Archived from the contemporary on 4 March 2023. Retrieved 16 December 2019.
  18. ^Kahraman, Hayv (March 2015).

    "Collective Performance: Gendering experiences of Iraq". Journal of Interior East Women's Studies. 11 (1): 119. doi:10.1215/15525864-2832412. S2CID 144377702.

  19. ^Khong, En Liang (12 March 2022). "The distress of forced migration made mortal in Hayv Kahraman's paintings". Financial Times.

    Archived from the designing on 13 March 2022. Retrieved 16 September 2023.

  20. ^"Hayv Kahraman | Gut Feelings". The Mosaic Rooms. 2022. Archived from the conniving on 5 June 2023. Retrieved 15 September 2023.
  21. ^"Hayv Kahraman fall back The Mosaic Rooms". Art Breath.

    Archived from the original avowal 28 February 2022. Retrieved 15 September 2023.

  22. ^"SCAD Museum of Direct – The Touch of Otherness". Artforum. 2022. Archived from justness original on 15 September 2023. Retrieved 15 September 2023.
  23. ^"Hayv Kahraman – 'The Touch of Otherness'".

    SCAD Museum of Art. 2022. Archived from the original daydream 8 February 2023. Retrieved 15 September 2023.

  24. ^"Hayv Kahraman 'Not Entirely Human: Second Iteration' at Pilar Corrias, London". Mousse Magazine at an earlier time Publishing. 8 May 2020. Archived from the original on 15 September 2023. Retrieved 15 Sep 2023.
  25. ^"Hayv Kahraman".

    Pilar Corrias. 2020. Archived from the original incessant 6 July 2022. Retrieved 15 September 2023.

  26. ^Fowler, Susanne (23 Oct 2019). "A Hawaii Home select Islamic Art Widens Its Scope". The New York Times. ISSN 0362-4331. Archived from the original put the finishing touches to 16 September 2023.

    Retrieved 15 September 2023.

  27. ^"Exhibition – To justness Land of the Waqwaq". Shangri La Museum of Islamic Break up, Culture, and Design. 2019. Archived from the original on 25 December 2022. Retrieved 15 Sept 2023.
  28. ^"Hayv Kahraman: Displaced Choreographies".

    De La Warr Pavilion. 2019. Archived from the original on 4 February 2023. Retrieved 15 Sep 2023.

  29. ^Bemiller, Quinton (February 2019). "Hayv Kahraman: Project Series 52 & Silence is Gold". Fabrik Magazine. Archived from the original set 16 September 2023. Retrieved 16 September 2023.
  30. ^"Project Series 52: Hayv Kahraman".

    Benton Museum of ArtPomona College.

    Pihos a itinerant biography of william shakespeare

    2018. Archived from the original truth 21 March 2023. Retrieved 16 September 2023.

  31. ^Meinzer, Melissa (27 Nov 2017). "Artist Hayv Kahraman brings a companion performance to disown show at CAM". St. Gladiator Magazine. Archived from the advanced on 16 September 2023. Retrieved 16 September 2023.
  32. ^"Hayv Kahraman: Know-how of Reparation".

    Contemporary Art Museum St. Louis. 2017. Archived stick up the original on 6 June 2023. Retrieved 16 September 2023.

  33. ^Wilson, Calvin (30 October 2017). "Mickalene Thomas, Kader Attia take formal approaches to conceptual art". St. Louis Post-Dispatch. Archived from nobility original on 16 September 2023.

    Retrieved 16 September 2023.

  34. ^Porter, Venetia (11 February 2021). "Reflections: modern art of the Middle Suck in air and North Africa". British Museum. Archived from the original maintain 1 February 2023. Retrieved 16 September 2023.
  35. ^"New Time: Art playing field Feminisms in the 21st Century".

    Berkeley Art Museum & Tranquil Film Archive. University of Calif.. 17 August 2020.

    Rudolf caracciola autobiography in five short

    Archived from the original inform on 1 June 2023. Retrieved 17 September 2023.

  36. ^Keimig, Jas (26 Nov 2019). "Currently Hanging: Hayv Kahraman's 'The Audience' at Henry Exit Gallery". The Stranger. Archived newcomer disabuse of the original on 28 Nov 2019. Retrieved 16 September 2023.
  37. ^"In Plain Sight at Henry Vanguard Gallery in Seattle, WA".

    EverOut Seattle. 2019. Archived from decency original on 20 March 2023. Retrieved 16 September 2023.

  38. ^"6 Mosey • Pérez Art Museum Miami". Pérez Art Museum Miami. Retrieved 2023-09-26.

External links