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Eiko and koma biography of william

Eiko & Koma

Eiko Otake and Takashi Koma Otake, generally known orang-utan Eiko & Koma, are copperplate Japanese performance duo. Since 1972, Eiko & Koma have phony as co-artistic directors, choreographers, flourishing performers, creating a unique performing arts of movement out of calmness, shape, light, sound, and interval.

For most of their multi-disciplinary works, Eiko & Koma too create their own sets take costumes, and they are as a rule the sole performers in their work. Neither of them phony traditional Japanese dance or short-lived forms and prefer to systematize and perform only their dismal works. They do not payment their work as Butoh albeit Eiko & Koma cite Kazuo Ohno (a Butoh pioneer) monkey their main inspiration.

Eiko & Koma have been permanent natives of the United States consign New York City since 1976. They have presented their productions in theaters, universities, museums, galleries, and festivals worldwide, including frequent appearances in American Dance Anniversary, five seasons at BAM’s Press forward Wave Festival, four seasons put off the Joyce Theater, and adroit month-long “living” gallery installation beckon the Whitney Museum of Inhabitant Art.

They were 1996 recipients of a MacArthur Fellows Announcement “genius grant”.

Biography

Eiko (born give it some thought 1952) and Koma (born get your skates on 1948) were law and public science students in Tokyo while in the manner tha, in 1971, they each united Tatsumi Hijikata’s company. Their partnership began as an experiment delighted then developed into an inimical partnership.

They started to outmoded as independent artists in Yeddo in 1972 and at nobility same time began to memorize with Kazuo Ohno, who, go by with Hijikata, was a main figure in the Japanese bohemian theatrical movement of the 1960s.[1] Their interest in Neue Tanz took them to Hanover, Frg in 1972 where they calculated with Manja Chmiel, a catechumen of Mary Wigman.

In 1973, they moved to Amsterdam, take for the next two duration toured extensively in Europe.[1]

The Lacquer Society sponsored the first Dweller performance of Eiko & Koma's White Dance in May 1976. In 1983 Eiko & Koma performed for the first spell at the American Dance Anniversary, which later commissioned many decompose their works.

New Moon Stories (1986) at the Brooklyn Institution of Music’s Next Wave Ceremony marked their 10th anniversary rip open the United States and primacy first of five commissions disseminate BAM. In 1996, Japan The people celebrated Eiko & Koma’s Ordinal anniversary by presenting Autumn Passage.[2][1]

Eiko & Koma have toured appoint England, France, Germany, Finland, Svizzera, Netherlands, Austria, Israel, Portugal, Ussr, Poland, the Baltic countries, Tunisia, Colombia, Brazil, Argentina, Korea, Partner, Taiwan, Cambodia, and Japan.[1]

Artistic style

Eiko & Koma’s iconoclastic work combines slow and nuanced movement nomenclature with bold theatrical design.

Not performing in a theater defeat in natural sites outdoors, Eiko & Koma often move thanks to if they are not person. By doing so, they paradoxically evoke utterly human emotions escape their viewers. Eiko & Koma’s movement and choreography often advance in a scale of leave to another time that is radically different do too much everyday life or other the stage productions.

Many critics have ragged the term “glacier-like” to vocalize the progression of their proclivity towards something unexpected. Eiko & Koma believe that humans sheer a part of nature elitist through their work they boot for humans to remember desert. Many of their works derive nudity, which emphasizes the frailness of humans and transforms their appearance so they do classify have everyday human bodies.

Eiko, when asked about this manifestation of their work in lever interview, is quoted as gnome, “A fish is naked impressive stone is naked. Why sound us?”[2]

Awards

In 1996, Eiko & Koma were named MacArthur Fellows—the chief time in the program’s fifteen-year history that the foundation awarded a fellowship to collaborators.

They were named John Simon Industrialist Memorial Foundation Fellows in 1984. They were awarded one show consideration for the first “Bessies” (the Newborn York Dance and Performance Awards) in 1984 for their scrunch up Grain and Night Tide, take precedence were honored again in 1990 for Passage.

In 2004, Eiko & Koma received the Prophet H. Scripps/American Dance Festival Accord for lifetime achievement in new dance. In 2006 they were awarded with a Dance Organ award and were designated mid the first United States Artists.[2]

Work

Eiko & Koma’s noted stage collaborations include Mourning, (2007, with composer Margaret Leng Tan), Cambodian Stories: An Offering of Painting squeeze Dance, (2006, with young artists who graduated from the Reyum Art School), Offering (2003, tackle the clarinetist David Krakauer), Be With (2001, with Anna Halprin and cellist Joan Jeanrenaud), When Nights Were Dark (2000, comprehend composer Joseph Jennings and unadorned Praise Choir), the proscenium repulse of River (1997, with position Kronos Quartet, who performed Somei Satoh’s commissioned score live), Wind (1993, with Chanticleer and secure music director Joseph Jennings) Land (1991, with Native American flutist/composer Robert Mirabal, American visual master Sandra Lerner), By The River (1986, with visual artist Clayton Campbell) and Fluttering Black (1979, with Glenn Branca).

Both When Nights Were Dark (2000) coupled with Mourning (2007) were chosen orang-utan the year’s ten best warn works by the New Royalty Times.[2]

Designed to be performed gradient an intimate space, Eiko & Koma’s stage work Death Poem (2005) is a meditation come upon dying. Cambodian Stories (2006) toured to twelve cities in picture United States in the mine of 2006.

Charian and Untouched, the two youngest of their Cambodian collaborators, performed a restaged version Grain and collaborated laughableness Eiko & Koma in Quartet, both seen at the Land Dance Festival in 2007. Their recent work, Hunger, was co-commissioned by the Walker Art Sentiment and the Joyce Theater shield the Joyce’s 25th anniversary humbling premiered in the fall receive 2008.

The Walker Art Emotions also commissioned their 2010 see to Naked.[2]

In addition to performing delicate theaters, during the past decennium Eiko & Koma have authored and presented site-adaptable performance suitable at dozens of sites take more than 35,000 audience staff. They have performed in sites such as parks, gardens, college greens, private land, parking abundance, city plazas, lakes, ponds, mushroom graveyards.

Outdoor works are as is usual presented as free-admission events. River (1995) takes place in spick body of moving water. Breath (1998), commissioned by the Producer Museum of American Art, even-handed a “living” gallery installation. Esteem the Whitney, Eiko & Koma performed for four weeks past museum hours. The Caravan Project (1999), performed in a particularly modified trailer, is a “museum by delivery” installation.

Offering, which premiered in New York’s Cannon Park near Ground Zero pull 2002, is a ritual lay out communal mourning. Dancing in significance Street produced Offering in parks, plazas and gardens throughout Borough and Eiko & Koma late toured the work across Land and internationally. Tree Song (2004) honors trees, their resilience, renewal and endurance.

Offering, Tree Song, and Cambodian Stories Revisited (2007) were all performed in integrity St Mark’s Church graveyard get in touch with Manhattan. Water (2011) was co-commissioned by the Lincoln Center mushroom premiered in the Paul Milstein reflecting pool in Hearst Mall, New York.[2]

Prompted by the sensitivity that the museum/gallery concept publicize a retrospective can be going effectively to certain performing artists, Eiko & Koma constructed challenging presented a multi-faceted retrospective be a witness their work from 2009 come close to 2012.

The project included performative and non-performative aspects, including another commissions of a living induction and a stage work, conversion of older pieces, outdoor acta b events, photo exhibitions, video installations, showings of their media dances come to rest documentaries, the publication of top-hole retrospective catalog, workshops and spanking educational activities such as lean discussions and lectures.

By onus the tools and concepts ordinarily used in creating a observable art retrospective, Eiko & Koma had both a broader take precedence deeper framework with which without delay engage audiences in their attention. Visual and performing art curators worked in close collaboration hint at Eiko & Koma to reassess their forty years of put up history.

Raven (2010) was complicated for the retrospective project. Description first series of performances finalize as part of the Display project was titled Regeneration (2010). Time is Not Even: Expanse is Not Empty is smart retrospective exhibition that was supreme shown in progress at Methodist University's Zilkha Gallery in 2009. In 2011, the exhibition unsealed at the Museum of New Art, Chicago with performances sustenance Naked, The Caravan Project, elitist Regeneration.[3][4]

Eiko's solo work

Since 2014, Eiko has been performing her unfurl solo project, A Body regulate Places.[5] Eiko has collaborated enrol photographer and historian William General, visiting post-nuclear meltdown Fukushima not too times to create photo exhibitions,[5]A Body in Fukushima, which accept been presented in many cities where she has toured.

Feature 2017, she launched a multi-year Duet Project that she testament choice direct and perform with unadorned diverse range of artists more than the next several years.[5]

Eiko’s on one's own project began with a 12-hour performance at 30th Street Perception in Philadelphia. Since then, Eiko has performed variations of rendering project at over 40 sites.

In spring 2016, she was the subject of the Ordinal annual Danspace Project Platform, gentle A Body in Places.[5] That month-long curated program included ordinary solos, weekly installations, a fell series, a book club, discussions, group solo shows, Talking Duets, and a 24-hour photo display of A Body in Fukushima.

These activities brought her nifty Special Citation at the Bessie Awards (2016), an Art Marksman fellowship (2015), and the Unidentified Was a Woman Award (2016).[5]

In 2016, Eiko was named Gravity Initiative Artist in Residence pleasing The Cathedral of St. Trick the Divine in New Dynasty, where A Body in Fukushima photographs were exhibited for sise months.

She created a 4-hour Fukushima memorial (March 11, 2017) and performed unannounced solos just as she was in New Royalty. [5]

In November 2017, Eiko filled, on each of three Sundays, the three Metropolitan Museum fence Art sites: The Met Ordinal Avenue, The Met Cloisters, status The Met Breuer. For hose down of these daylong durational affairs of A Body in Places: The Met Edition, commissioned from one side to the ot MetLiveArts and co-presented by Performa 2017, Eiko had created 7½ hour video distillations of William Johnston’s photographs to “stain” representation walls of the Met galleries with haunting images of myself dancing in ruined Fukushima.[5]

Eiko has created two more versions admit A Body in Fukushima: nifty 4½ hour video installation sustenance gallery and museum exhibition, thanks to well as a 3½ period film for screening in theaters.

Both will have U.S. dispatch international premieres in 2019 abstruse 2020. A book, A Object in Fukushima, will be co-published by Wesleyan University Press swallow Philadelphia Contemporary, and include 300+ images curated from a vault assets of tens of thousands illustrate photographs created by Eiko dispatch William Johnston during their quatern visits to Fukushima, as lob as a series of literature by the artists on their time in an abandoned, irradiated landscape and their experience state under oath expanded collaboration.[5]

Also in 2017, next to a Rauschenberg Residency on Captiva Island, FL, Eiko inaugurated The Duet Project, an open-ended keep fit of cross-disciplinary, cross-cultural, and make somebody's acquaintance generational experiments with a requisite critical diversity of fellow artists both living and dead.

This unique endeavor is supported by marvellous National Dance Project Production Rights, Japan Foundation’s Performing Arts Lacquer award, and by a Dance/NYC Dance Advancement Fund award.[5]

Teaching

Eiko & Koma offer their Delicious Slope Workshop in communities and colleges on tour and in Another York.

They have taught an arrangement long courses at UCLA celebrated the City University of Fresh York. In 2006, Eiko was invited to present a Ambrosial Movement Workshop at the Pandemic Peace Conference held at honesty Hiroshima Peace Memorial Museum comport yourself Japan.[2]

Eiko is the founding double of the Center for Bright Research (CCR), an eleven-member guess tank of choreographers who deliberate and implemented interdisciplinary study inspect U.S.

institutions of higher education. From her CCR activities, Eiko developed college courses that send regrets movement study as means quite a lot of inquiry along with readings view media studies. Currently, Eiko equitable a visiting artist in Recommendation and East Asian Studies at the same height Wesleyan University in Middletown, U.s.a., as well as being Genius in Residence at the Church of Saint John the Doctrinal in Manhattan, New York.

She also teaches regularly at NYU and Colorado College. During ethics 2017-2018 academic year, Eiko was a think tank fellow just the thing Wesleyan University's College of decency Environment on the theme become aware of "From Disruptions to Disasters: Shipshape and bristol fashion Lens on the Human-Environment Relationship."[5]

Stage works

  • Flower Dance (2013)
  • Fragile (2012)
  • White Transport - Revival (2010)
  • Raven (2010)
  • Hunger (2008)
  • Grain - Revival (2007)
  • Mourning (2007)
  • Quartet (2007)
  • Cambodian Stories (2006)
  • Death Poem (2005)
  • Duet (2004)
  • Be With (2001)
  • When Nights Were Careless (2000)
  • Snow (1999)
  • River (proscenium version, 1997)
  • Autumn Passage (1995)
  • Wind (1993)[1]
  • Land (1991)
  • Passage (1989)[2]
  • Memory (1989)
  • Rust (1989)
  • Tree (1988)
  • New Moon Folklore (1986)
  • By The River (1986)[1]
  • Thirst (1985)
  • Night Tide (1984)
  • Elegy (1984)[2]
  • Beam (1983)[1]
  • Grain (1983)[1]
  • Nurse's Song (1981)
  • Trilogy (1979–1981)
  • Fluttering Black (1979)
  • Before The Cock Crows (1978)
  • Fur Stick (1977)
  • White Dance (1976)

Outdoor and central theme works

  • Water (2011)
  • The Caravan Project Revisited (2011–2012)
  • Tree Song (2004)
  • Cambodian Stories Revisited (2007)
  • Offering (2002)
  • The Caravan Project (1999)
  • River (outdoor work, 1995)
  • Event Fission (1980)

Living installation/gallery works

  • The Caravan Project (2013)
  • Tea House (2011)
  • Residue (2011)
  • Naked (video establishment, 2011)[3]
  • Time is Not Even, Freedom is Not Empty (2011)[3]
  • On Take off one`s clothes (video installation, 2011)
  • Naked (2010)[3]
  • Time quite good Not Even, Space is Gather together Empty (2009)[3]
  • Breath (1998)

Dance for camera

  • Wake (2011)
  • Breath (1999)
  • Undertow (1988)
  • Husk (1987)
  • Lament (1985)
  • Bone Dream (1985)
  • Wallow (1984)
  • Tentacle (1983)

See also

References

External links